Our trainers are working Logic Pro professionals, with years of practical experience using Logic Pro. Steve DeMott recently did an article on 2-Buss compression recently. In this video Eli takes some of his ideas and develop them using Logic's powerful and flexible built-in compressor plug-in. There is a lot more to this plug-in than initially meets the eye, especially when it comes to "glue" style bus processing.
Apple has us covered in those moments when inspiration hits. Capturing audio on the fly is a snap with Voice memos, as is bringing it into Logic using either AirDrop or iCloud. Then, the sky's the limit! Sometimes it's the simple things that make all the difference. There is a somewhat hidden feature in Logic that has been around since the beginning, in the early nineties.
Many users don't know or care about it. Many others, blissfully unaware of its presence, clamour for it. I am talking about MIDI chase. What is it, and why should you care about it? Read on. We received a question from a user about locking multiple tracks together when editing. Happily, the answer is simple and easy to implement.
We've all been there. We're in the heat of working, editing away; we make a snip or cut with either a key command, menu function, or tool, and bam. It pops up. Stopping us dead in our tracks. We're locked out of doing anything else and are confronted with a do-or-die decision that we must make before we can move forward. What do we want to do with the notes existing on both sides of the split point?
Read on to understand the options available. I often receive questions from Logic users about various aspects of the program or specific problems. Last week I received two Logic related questions that had straightforward, easily explainable answers that are not immediately apparent unless you know Logic reasonably well. I want to share them here and their solutions, in case they will be of help to others searching for the same information.
There are lots of features, functions, and even plug-ins, lurking deep within Logic that often do not receive the love they deserve. Delay Designer is an often overlooked fully customizable multi tap delay.
Watch as a unique multi tap rhythm is created and customized to work with a specific vocal phrase. Waves recently released the CLA Epic plug-in, which captures the Chris Lord-Alge workflow of mixing with depth, using four delays and four reverbs. In this video, I'll show you how to set up these Epic style effects routings directly in Logic.
Explore a couple of different ways to drive the input for a more authentic sounding tape saturation effect. Here I'll show you how quick, fun, and stimulating it is, instantly chopping up a loop in Quick Sampler and then re-arranging the slices in unusual ways in the Step Sequencer.
In this latest installment of collaborative posts, Chris and Eli tackle mixing the same drum tracks, using Logic Pro X plug-ins exclusively. In this video, I will approach Tape Delay from a different vantage point. Instead of thinking of tempo-synced delays, the modulation section, in conjunction with the Feedback control, is put to work, creating a warm subtle flanging effect on a signal that is delayed just a couple of milliseconds.
Hear it in action, on both guitar and Rhodes. The instructor will teach you how to do sound recording and basic audio production. By joining this training, you will learn to write, produce, mix and edit great music that sounds highly impressive, polished and professional. You can Sign Up Here.
Review: So glad I invested in this course. Only half way through it and there is just so much detail and so many functions I, as a logic pro X user, have missed all this time! Shortcuts that make life so much easier and most importantly quite a bit of detail on mixing and mastering your music. Great value for money. Thanks Rob! In Review: It was a really good course. He pretty much covered everything in Logic Pro and since I am new to Logic, I feel comfortable about getting started working in Logic based on what I learned in this tutorial.
The additional bonus interviews were a nice feature too — it was good to hear from professionals in the industry and get their input on a lot of topics related to the field. Really enjoyed it, thanks! Through this training, you will learn how to set up remix stems in projects, use insert effects, create instrument tracks, and mastering missing track. The program will aid you become a Logic Pro X power user. If you have a shoestring budget and want to learn how to create killer beats, then this is the perfect class for you.
This tutorial has been developed by Dot Bustelo who is an internationally-recognized Logic Pro software specialist, film composer, sound designer and music producer. The instructor will show you how to make music using Logic Pro X software.
